Hal Foster citeert Miwon Kwon, a contemporary art critic and historian based in Los Angeles in verband met gedachten rond het woord 'hedendaagsheid' in de kunst :
For instance, what is the status of contemporary Chinese art history? What is the time frame for such a history? How closely should it be linked to Chinese art, cultural, or political history? How coordinated should it be with Western art history or aesthetic discourse? Is contemporary Chinese art history a subfield of contemporary art history? Or are they comparable categories, with the presumption that the unnamed territory of contemporary art history is Western/American?
http://www.e-flux.com/journal/view/98
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